Black Swan State Theatre Company ushers in a new era and welcomes the appointment of its new Artistic Director from 2017, Clare Watson.
Last week and over the next few weeks the cast of The Caucasian Chalk Circle are having a bit of face work done, both in Perth and Sydney! The Caucasian Chalk Circle, a collaboration between the National Theatre of China and Black Swan, will feature masks designed by Professor Huaxiang Zhang and worn by cast members throughout the show. These masks are specially designed and created using moulds of the actors’ faces – a process that takes approximately 45 minutes. First, the actor’s face is prepped with Vaseline, especially around facial hair. Then the mould mixture – dental alginate – is applied to the face, covering the eyes but leaving air holes at the nose. Then plaster bandage is layered over to support the alginate. Once completely dry, the mask can be easily removed from the face and voila, you have an exact negative cast of their face. Once all the moulds are completed, a positive cast is taken using plaster. Once all 14 casts are complete, these will be sent to Beijing where they will be used in the creation of the physical masks once the designs are completed.
Writer Tom Wright, who's adaptation of Joan Lindsay's novel Picnic at Hanging Rock will be presented at the Heath Ledger Theatre in April, wrote a series of meditations on this classic story. Read on for some insight and some musings.
Matthew Lutton, Artistic Director of Malthouse Theatre and director of Malthouse and Black Swan's coproduction, Picnic at Hanging Rock, sat down with The Guardian to reveal some insights into the world premiere of this stage adaptation.
Actor Hoa Xuande makes his debut on Black Swan's stage in Tonsils + Tweezers by Will O'Mahony. As part of Black Swan's 2016 Bridging Company, Hoa is one of eight recent WAAPA graduates to take the stage in LOADED: A Double Bill of New Plays featuring Tonsils + Tweezers and Girl Shut Your Mouth. We chatted with Hoa about what his experience has been like.
Black Swan audiences may know Will O'Mahony first as an actor. He started with us in The HotBed Ensemble in 2009 with roles in pool (no water) and The Dark Room. He followed that with Twelfth Night in 2010, Flood in 2014 and, most recently, Glengarry Glen Ross in 2015. Other than Black Swan's stage, Will has also appeared in numerous productions at the Blue Room Theatre. But what some may not know is that Will is also a playwright and director. He was a member of Black Swan's 2014-15 Emerging Writers Program and has won multiple awards for his plays.
21-year-old Shalom Brune-Franklin finished up at WAAPA last year and went straight into rehearsals for Girl Shut Your Mouth, one play in Black Swan's upcoming performance, LOADED: A Double Bill of New Plays. Community Newspapers sat down with Shalom to find out what life after school is really like, and what's in store for audiences.
What goes into writing an adaptation of an existing work? Are there rules to follow, or can you have some creative licence? To get some answers, we went to writer Hilary Bell who adapted The Red Balloon by Albert Lamorisse, which we are presenting in the Studio Underground starting next week.
Set & Costume Designer Bryan Woltjen is back, now designing our upcoming production, Extinction. We chatted with Bryan about his work, inspiration and the big reveal.